Solo, Recital, and Chamber music

Please note that some of the performances listed below have been released as live recordings and thus appear also on the “Recordings” page of this website.

New York City Electroacoustic Music Festival (NYCEMF). Featured performer, 2023.

- Plane of Slight Elevation, for microtonal ensemble and electronics, by Sean Peuquet. Sheen Center, New York City, June 20, 2023.

- Skavla, for violin and electronics, by Rikako Kabashima. Sheen Center, new York City, June 22, 2023.

- Outside-time sketch No. 2, for violin, cello, and electronics, by Manolis Ekmektsoglou. Sheen Center, New York City, June 23, 2023. Madeleine Shapiro, cello.

- Collaboration as an Act of Creation, for violin, multiple cognitive agents, live electronics, and public participation; by Fernando Egido. Sheen Center, New York City, June 23, 2023.

New York City Electroacoustic Music Festival, Featured Performer, June 2022:

- Violin Concertino for violin and electronics, by Akira Takaoka

Phillips Collection, Washington, D.C., Leading International Composers concert, May 2022.

- Axon by Tania León, interactive work for violin and computer.

Elebash Hall, CUNY Graduate Center, Can You Imagine? A celebration of Tania León, April 2022.

- Axon, by Tania León, interactive work for violin and computer.

New York City Electroacoustic Music Festival (virtual). Featured Performer, June 2021.

- Squeakeasy for violin and electronics by Jonathan Wilson

- Damnamaeus for tarogato (Esther Lamneck), violin, and electronics by Erich Barganier.

Society for Electroacoustic Music in the United States Conference, March 2020. Recorded video performance presented online due to COVID-19 pandemic. Teach Sum, Cheat Sum by Douglas Geers, for violin and cello (Madeleine Shapiro) with live electronics. 

Society for Electroacoustic Music in the United States Conference, Berklee School of Music, Boston, March 2019.

- Oracle by Douglas Geers, Esther Lamneck, and Maja Cerar, for tárogató, violin, and live electronics.

International Computer Music Conference, New York City

Featured Performer, June 2019.

- Ike-Bana by Kobayashi Mizuki

- What Will Sound (was already sound) by Jeffrey Bowen

- Ada by Andrew May.

- Fragments for viola and computer by Takashi Miyamoto.

Florence, Italy, Diffrazioni Multimedia Festival. Featured Performer, March 2019:

- Autopoiesis by Liubo Borissov and Maja Cerar interactive work for violin, computer music, choreography, and live video processing.

- What Will Sound (was already sound) for violin and live electronics by Jeffrey Bowen.

- Eterea/Ethereal by Gustavo Chab, work for violin, fixed media, and choreography

- Oracle by Douglas Geers, Esther Lamneck, and Maja Cerar, for tárogató, violin, and live electronics.

New York City, Abrons Arts Center Playhouse, New York City Electroacoustic Music Festival (NYCEMF). Featured Performer, July, 2018:

- Extension by Ahn Sukyoung for solo violin with electronics.

- Oracle by Douglas Geers, Esther Lamneck, and Maja Cerar, for tárogató, violin, and live electronics.

New York University, New York, Frederick Loewe Theatre, 25th Anniversary Concert of the NYU Interactive Arts Performance Series, February 2018. 

- Oracle by Douglas Geers, Esther Lamneck, and Maja Cerar, for tárogató, violin, and live electronics.

University of Bern, Switzerland, Swiss Study Foundation 25th Anniversary Celebration.

- Autopoiesis by Liubo Borissov and Maja Cerar, interactive work for violin, computer music, choreography, and live video processing, November 2016. 

New York City College of Technology, Voorhees Theater, Electroacoustic Improvisation Summit 2018, February 2018.

- Oracle by Douglas Geers, Esther Lamneck, and Maja Cerar, for tárogató, violin, and live electronics.

New York City, National Sawdust and Abrons Arts Center Playhouse, New York City Electroacoustic Music Festival (NYCEMF). Featured Performer, June and July 2017:

- Call It What You Will: In Memoriam Milton Babbitt by Matthew Barber, for violin, piano, and electronics.

- What Will Sound (was already sound) by Jeffrey R. Bowen, for solo violin with live electronics. 

- Teach Sum, Cheat Sum by Douglas Geers, for violin and cello (Madeleine Shapiro) with live electronics. 

- …sicut aurora procedit by Maija Hynninen, for violin and live electronics. 

- Grinding by Dong Zhou, for violin and electronics. 

New York City, National Sawdust and Abrons Arts Center Playhouse, New York City Electroacoustic Music Festival (NYCEMF) and New York Philharmonic Biennial, Featured Performer, June 2016: 

- Axon by Tania León, interactive work for violin and computer.

- Vedananupassana by Ken Ueno, interactive work for violin and computer.

- Fastenings by Elizabeth Hoffman, interactive work for violin and computer, world premiere.

- Poltergeist by Paolo Gatti, work for violin and fixed media.

- Autopoiesis by Liubo Borissov and Maja Cerar, interactive work for violin, computer music, choreography, and live video processing.

- Basia by Roberto Zanata, work for violin and fixed media.

- Tree Blossoms II by Christian Banasik, work for violin and video.

- Undulations, by Yuriko Kojima, interactive work for violin and computer, world premiere of violin version. 

- Sadismusic I by Caroline Louise Miller, interactive work for violin and computer, world premiere of solo violin version.

- Violin Shake by Antonio Bonazzo, interactive work for violin and computer.

- Eterea/Ethereal by Gustavo Chab, work for violin, fixed media, and choreography.

Sonic Spring festival, Stony Brook University, New York, Staller Center for the Arts, April, 2016.

- Axon, interactive work for violin and computer by Tania León.

New York University, New York, Frederick Loewe Theatre, NYU New Music Ensemble Guest Artist, November 2015.

- Premiere performance of Oracle, an co-composed interactive electroacoustic work with improvisation. Esther Lamneck, tàrogatò, and Douglas Geers, computer.

Aural Architectures, Stony Brook University, New York, Staller Center for the Arts, 2015.

- Making Place, interactive multimedia work, solo violin version, by Katharine Norman.

International Computer Music Conference, Lyric Theater, Denton, Texas, September, 2015.

- Inanna's Descent by Douglas Geers.

New York City Electroacoustic Music Festival, Playhouse Theatre, Abrons Arts Center, New York City, June 2015.

- Making Place. Premier performance of interactive multimedia work, solo violin version, by Katharine Norman.

Composers Now Festival, Spectrum, New York City, February, 2015.

- Inanna's Descent by D. Geers.

Columbia University Computer Music Center Fall 2014 Concert, New York City, December 2014.

- Cumulonimbus, co-composed improvisatory composition. Maja Cerar, violin; Douglas Geers, computer.

International Electroacoustic Music Festival, Studio 312, Brooklyn College, New York City, November 2014.

- Cumulonimbus, co-composed improvisatory composition. Maja Cerar, violin; Douglas Geers, computer.

Circuit Bridges Series, Gallery MC, New York City, October 2014.

- Cumulonimbus, co-composed improvisatory composition. Maja Cerar, violin; Douglas Geers, computer.

NYU Interactive Arts Series, Frederick Loewe Theater, New York City, October 2014.

- Cumulonimbus, co-composed improvisatory composition. Maja Cerar, violin; Douglas Geers, computer.

Atlantic Music Festival, Given Auditorium, Waterville, Maine, July 2014. 

- Violance, multimedia work for solo violin by Jean-Baptiste Barrière.

Debut concert of ensemble ni; Spectrum, New York City, May 8, 2014.

- Parti…, solo violin composition by Yoshiaki Onishi.

ImproTech Paris-New York 2012 festival, closing concert; Prentis Hall, Columbia University. New York, New York, 2012.

- Improvisation on Themes from Inanna, co-composed with Douglas Geers.

Society of Electro-Acoustic Music in the United States Festival/Conference; Gusman Auditorium, Miami, Florida, 2011.

- Inanna's Descent by Douglas Geers.

International Electroacoustic Music Festival, Whitman Concert Hall, New York City, 2010.

- Obsessive Currents by Douglas Geers.

New York City Electroacoustic Music Festival, Segal Theater, New York City, 2010.

- Inanna's Descent by Douglas Geers.

Spark Festival of Electronic Music and Arts, Ted Mann Hall, Minneapolis, Minnesota, 2008.

- Concert performance of solo and chamber music from Calling by Douglas Geers.

Opening of Cultural Summer Season, Dugi Otok, Croatia, Veli Rat Lighthouse Plaza, 2007.

- Recital with works by A. Vivaldi, J.S. Bach, V. Monti et al.

Spark Festival of Electronic Music and Art, featured soloist. Ted Mann Concert Hall and Southern Theater, Minneapolis, Minnesota, 2007.

- Trembling by Morton Subotnick

- Graph Theory by Jason Freeman

- Shadow by Douglas Geers

Serial Underground, Cornelia Street Cafe, New York City, 2007.

- Graph Theory by Jason Freeman.

Loca Musica Summer School; Skofja Loka, Slovenia, 2006.

- Faculty recital with Blaž Pucihar, piano, including works by R. Schumann, M.d. Falla, et. al.


Spark Festival of Electronic Music and Art, featured soloist. Ted Mann Hall and Ultan Recital Hall, Minneapolis, Minnesota, 2006.

- Violynn, by Alvin Lucier

- Shatter Cone, by Pantiotis Kokoras

- Piéce pour Violon et Electronique, by Gilles Gobert

- Feedback, by Roger Dannenberg

- Enkidu, by Douglas Geers

ASCAP 'Through the Walls' Series, The Cutting Room, New York City, 2005.

- works by Douglas Geers.

Zoom: Composers' Close-Up Series, Merkin Hall, New York City, 2005.

- Biology IV , by R.L. DuBois.

Festival of Creativity and Free Culture, Stih Hall, Ljubljana, Slovenia. 2005.

- Solo works by J.S. Bach, E. Ysaÿe, and Obsessive Currents by Douglas Geers.

Roulette, New York City, 2005.

- Proun Space by James Fei for two violins and live electronics.

25th American Festival of Microtonal Music, Faust Harrison Salon, New York City, 2005.

- Shadow by Douglas Geers.

International Computer Music Festival (ICMC) final concert, University Cultural Centre, Singapore, 2003.

- Enkidu by Douglas Geers.

International Society for Contemporary Music (ISCM) Festival 'World Music Days', Kosovel Hall of Cultural and Congress Center Cankarjev Dom; Ljubljana, Slovenia, 2003.

- Enkidu by Douglas Geers, with the Experimentalstudio der Heinrich-Strobel Stiftung des Südwestfunks Freiburg.

New York, New York, Merkin Hall, Miller Theatre, Weill Hall, Chelsea Museum, Engine 27, The Slipper Room, Tenri Cultural Center, Speyer Recital Hall, Shapiro Theatre, Casa Italiana, Sulzberger Parlor, Riverside Church, etc. Various chamber music works by R.A. Arjomand, M. Toledo, M. Ito, C. Bailey, T. Polashek, D. Geers, R. Hirs, C. Bettendorf, et al., 2001-2005.

300-Year Anniversary Season of the Slovene Philharmonic; Great Hall of the Slovene Philharmonic, Ljubljana, Slovenia, 2001.

- Recital with pianist John Novacek, with works including M. Ravel, I. Petrič, M.d. Falla, S. Currier, C. Franck.

Meet the Composer, Miller Theatre, New York City, 2001.

- Le Mômo by J. Zorn, with pianist John Novacek.

American Mavericks, Miller Theatre, New York City, 2001.

- Recital with John Novacek including works by J. Hendricks, J. Zorn, G. Antheil, C. Ives, S. Currier et al.

Society for Electro-Acoustic Music in the U.S. Festival/ Conference, Merill Ellis Intermedia Theatre, Denton, Texas, 2000.

- Turnstile by Douglas Geers for violin and fixed media.

Gidon Kremer Lockenhaus Festival; Lockenhaus, Austria, 2000

- Solo, duo and chamber music performances including works by E. Ysaÿe, G. Tartini, and V. Janárčeková.

Italy (Milan Centro Cultural Svizzero, Rome Istituto Svizzero, Venice Istituto Svizzero Concert Halls), 1999

- Recitals with pianist John Novacek, including works by L. Berio, F. Schubert, H. Holliger, et al.

Dame Myra Hess Memorial Concert Series, Chicago Cultural Center's Preston Bradley Hall, Chicago, 1999

- Recital with Nelson Padgett, piano, with works by E. Bloch, M. Ravel, G. Tartini.

New York, New York, Swiss Institute and Washington, DC, Swiss Embassy Concert Hall, 1997.

- Recitals with David Buechner, including works by O. Schoeck, H. Holliger, B. Furrer, et. al.

Paris, France, Centre Culturel Concert Hall, 1997.

- Recital with pianist Gérard Wyss, including works by C. Franck, C. Debussy, M. Ravel, et. al.

Special Reception Concert, Parliament Concert Hall, attended by Prince Hans-Adam II of Liechtenstein; Principality of Liechtenstein, 1995.

- Recital with pianist Felix Profos, performing works by Maurice Ravel, Uroš Krek, et al.

Geneva, Switzerland, Victoria Hall; Leukemia Benefit Event, 1995.

- Recital with pianist Gérard Wyss, performing works by L.v. Beethoven, C. Franck et al.

Ljubljana, Slovenia, Great Hall of the Slovene Philharmonic; Concert under Special Patronage of Milan Kučan, President of Slovenia, 1995.

- Recital with pianist Gérard Wyss, performing works by L.v. Beethoven, U. Krek, E. Bloch, J. Brahms.

Switzerland (Geneva H. du Rhône, Basel H. Euler, Zurich H. Dolder Concert Halls), 1990-1994.

- Recitals with pianists Gérard Wyss, Ulrich Koella, and Annette Weisbrod, including works by G. Tartini, L.v. Beethoven, U. Krek, F. Schubert, P.d. Sarasate, H. Wieniawski, C. Saint-Saëns, M. Ravel, C. Debussy, C. Franck, et al.

Orpheus Concert Series, Kongresshaus, Zurich, Switzerland, 1993.

- Recital with Martin Wettstein, piano; including works by L. Janáček, S. Prokofiev, E. Ysaÿe.

Ljubljana, Slovenia, Knights' Hall of Križanke, 1993.

- Recital with pianist Hinko Haas; works by J. Golob, U. Krek, C. Franck, E. Ysaÿe, M. Ravel, J. Kreisler.

Festival "Young Artists in Concert"; Congress Center Concert Hall, Davos, Switzerland, 1992-1996.

- Various solo performances with works by J.S. Bach and E. Ysaÿe; various duos with pianists Christian Glinz and Felix Profos, performing works by B. Furrer, H. Holliger, L. Janáček, A. Schnittke, M. Ravel, B. Bartók; various chamber music formations performing works by D. Shostakovich, J. Ibert, R. Schumann et. al.

Slovenia (Ljubljana, Murska Sobota, Crnomelj, Nova Gorica), 1992.

- Recital tour with Hinko Haas, piano; works by G. Tartini, C. Franck, P.d. Sarasate, M. Ravel, L.v. Beethoven.

30th International Festival of Twentieth-Century Chamber Music; Radenci, Slovenia, 1991.

- Recital with Hinko Haas, piano; works by U. Krek, O. Schoeck, M. Ravel, J. Golob, S. Prokofiev, et. al.